Kettering Concert 2017-11-12
Luke Frost, Fraser Reynolds
One Piano - Four Hands
Fantasia in F minor D. 940 (Op. posth. 103) – Schubert Fantasie for 4 hands – Franz Peter Schubert (1797-1828)
Prelude and Fugue No. 15 in G major BWV 884 – Johann Sebastian Bach (1685-1750)
Piano Sonata No. 6 in D major K284 – Durniotz – Wolfgang A. Mozart (1756-1791)
Mazurka Op. 33 No. 4 in B minor – 1 – Frédéric Chopin (1810-1849)
Chopin Nocturne Op 48 No. 1 in C minor – Frédéric Chopin (1810-1849)
Mazurka Op. 50 No. 3 in C sharp minor – Frédéric Chopin (1810-1849)
Moments Musicaux Op. 94 (D 780) – Franz Peter Schubert (1797-1828)
Image Book 1 No. 2 – Claude-Achille Debussy (1862-1918)
Sunday 12 November 2017, 3pm
Kettering Community Hall
Tickets available at the door 15
Stay for the post-concert afternoon tea, meet and chat with the musicians.
Luke Frost is currently studying piano privately with Jennifer
Marten-Smith, having completed grade twelve at Hobart College in 2016. He has a
strong passion for all kinds of music, but also enjoys the sciences, philosophy, art,
writing, and playing tennis. If Luke chooses to pursue piano, he will be looking to
audition for a place at the Australian National Academy of Music in 2018. However,
although piano is what he enjoys more than anything else, he is also considering
medicine as a possible career choice if he decides that the piano is better held solely.
Fraser Reynolds is currently undertaking a double degree in Business and Econom-
ics at the University of Tasmania while taking piano lessons from Jennifer Marten-Smith. Once a week during school term he takes the Hobart College String Ensemble rehearsals and also enjoys accompanying students from Hobart College for their
school performances, and students from around Hobart in general for Eisteddfods
My artwork is ever evolving, resulting in fluid linear strokes with each colour unique and individual to the composition of the work, the combination of each unique stroke building the image. I progress through shades to provide the illusion of blended colour, thus simplifying the environment to basic form. Much of the resulting brushwork represents the world we move through, enhancing the natural environment with bold colour which draws me deeper into the canvas, searching the palate for the perfect hues.
Painting is my conduit to peace and harmony, stepping away from the illusions and delusions of everyday life to be in the moment, to be the brush, to be the paint and to be the painting.